The new Plymouth Monopoly is launched today and features many historical sites around Plymouth.
I took a lot of the photos that are featured on the lid and board and there's a few shots of where I live, Saltash Passage (it even has it's own square!). There's also photos of Smeaton's Tower, Plymouth Argyle, The Merchant's House, the Duke of Cornwall Hotel, the Barbican, Saltram, the Citadel etc.
It's certainly a very colourful board and I'm sure lots of people will buy it for Christmas. For people with sharp eyes, my little Westie appears on the lid somewhere. See if you can spot her (no, she's not one of the counters!).
Other photos on the lid and board were taken by Ken Taylor and James Wells. Many of Ken's photos are on Flickr at www.flickr.com/photos/yadrad.
Tuesday, 18 October 2011
Wednesday, 12 October 2011
Palace Theatre Programme from 1951
Kevin Glynn recently kindly sent me a very interesting old programme from the Palace Theatre. Kevin runs his own business, 'Glynn Services' which deals with house clearances and waste removals.
The programme also features many interesting local adverts which included one for the Greyhound Inn at Millbay which was advertised as the 'Little House with the Big Reputation', one for Pamela N. Le Grice (dressmaking at its very best) and one for George's Laundry whose slogan was 'For Good Work'. There's also an advert for a trade that definitely seems a thing of the past, 'The Doll's Hospital'. They specialised in wigs, eyes and restringing and were located at Ebrington Street. Other adverts include a very 1950s style one for Plymouth Breweries. On the back is an advert for the Radio Times in the days when there was only one channel but you could still find something more interesting to watch than you can nowadays!It's a great little programme and I'm very appreciative to Kevin for sending it to me.
The programme dates from September 1951 and the main show that week came from the Combined Amateur Dramatic Societies of Plymouth who performed a production of 'If I Were King'. The programme contains all the signatures of everyone who took part in the production but all are now long forgotten.
The following week's shows are advertised and include 'three world famous musicals' which were 'Chu Chin Chow', 'Lilac Domino' and 'Merrie England'.
The programme also features many interesting local adverts which included one for the Greyhound Inn at Millbay which was advertised as the 'Little House with the Big Reputation', one for Pamela N. Le Grice (dressmaking at its very best) and one for George's Laundry whose slogan was 'For Good Work'. There's also an advert for a trade that definitely seems a thing of the past, 'The Doll's Hospital'. They specialised in wigs, eyes and restringing and were located at Ebrington Street. Other adverts include a very 1950s style one for Plymouth Breweries. On the back is an advert for the Radio Times in the days when there was only one channel but you could still find something more interesting to watch than you can nowadays!
Thursday, 6 October 2011
The Saltash Ferry Festival
It's almost 50 years since the ferry between Saltash Passage and Saltash ceased. To celebrate this, ferry trips will run again for one day only on Sunday 23rd October 2011. The landlord of the Ferry House Inn has been preparing the old waiting room on the Saltash Passage side with old photos and memorabilia to celebrate the event. On the Saltash side, members of the Ashtorre Rock Centre have been collecting photos, memorabilia and memories. There will be food stalls and a circus skills workshop on Waterside Green and the ferry will run throughout the day running from the slipway at Saltash following its original route across to Saltash Passage before docking at the pontoon at the Tamar River Sailing Club.
At Saltash Passage, there will be music and entertainment, a photographic exhibition and a prize awarded for the best dressed 50's or 60's outfit. Bernie Stewart (Mood Swings) will be playing at 20:30 at the Ferry House Inn.
Sounds like a great day. See it while you can. I'm sure that many of us won't be around for the next celebration in 50 years time!
Sunday, 25 September 2011
New books
I have four new history books out this month which I hope you will find interesting. The first is, 'Images of Plymouth : Stonehouse' (Driftwood Coast Publishing) which features a history of Stonehouse together with many old photos from the early 1900s. I've tried to include as much as I can within its pages and some of the things covered include prehistory, the Romans, Stonehouse Bridge, Transport, Union Street, the Palace Theatre, Durnford Street etc. It also features people with a connection to the area like Vice Admiral Hardy, Robert Falcon Scott, Harry Houdini, Charles Darwin and even Benny Hill.
Talking of Harry Houdini, my second book features his appearances around the UK in the early 1900s and is called 'Houdini : the British Tours' (Driftwood Coast Publishing). It features the recorded appearances of Houdini in Britain between 1900 and 1920 and tells of his amazing stunts, his leaps in chains from bridges, his challenges, his imitators and his rivals etc. It features many photos together with newspaper reports of the day which help to bring the stories of Houdini's many tours of Britain alive. Regular readers of this blog will know that Houdini appeared in Plymouth and there's an interesting section about this within the book.
The third book is, 'Plymouth at War Through Time' (Amberley Publishing). You may have read some of my other Through Time books. This one features old photos from the Second World War together with colour photos of the same area today. I love the look of these books and think that the idea works really well.
All books are available from Waterstones, Smiths and all the normal outlets and also online at Amazon, Tesco, Foyles etc.
I hope that you'll enjoy them very much. There are also more books to come from Amberley but I'll write about them later.
Tuesday, 20 September 2011
The Tamar Bridge
Like me, the Tamar Bridge is 50 this year. It's also 50 years since the ferry stopped crossing between Saltash Passage in Plymouth to Saltash in Cornwall.
While researching material for the Blue Sound project, I came across some very interesting newspaper cuttings from 1959 and 1960 which showed the bridge as it was being built. I've never seen any of these photos anywhere else so I thought that I would post them on here. The first shows a drilling platform being rigged on the St Budeaux side in readiness for trial borings.
The second photo is dated 30th November,1959 and shows one of the main pillars being constructed. The Royal Albert Bridge can be seen in the background. This photo has been taken on the Plymouth side. The next photo is from February 1960 and shows the main towers being erected, again on the Plymouth side.
The final photo comes from 11th October 1960 and shows the bridge well under way. Two men can be seen walking the temporary, precarious bridge between the two main pillars.
(Please click on the photos to see them larger).
Thursday, 1 September 2011
More Houdini
I've written about Houdini's appearance at the Palace Theatre in Union Street several times before but, as I've been compiling my book about Houdini's tours of Britain, I've discovered other pictures and newspaper articles about his appearance in Plymouth. I think the following article, taken from a newspaper of the day, captures what it was like to be at his show:
During the interval of waiting, the orchestra played several well known songs, which the audience sang to pass away the time. After twelve minutes, the band suddenly stopped and the 'house' was in uproar. Houdini had appeared, perspiring profusely, while during his confinement he had also discarded his dress coat. Cheer upon cheer greeted the performer and everyone, the challengers, committee and audience, admitted themselves to be thoroughly at a loss how to explain the trick. The box was in exactly the same condition as when Houdini was nailed in. There was no sign of an opening anywhere. The nails, rope and cover were also as securely fastened as they were previously. The box, during the test, was at the request of the challengers, placed on a carpet and not on the stage flooring. The Dockyardmen accepted their defeat and each heartily congratulated Houdini on his success. The box was subsequently inspected by the audience.
At the first house, a gentleman offered Houdini £10 if he could escape from the strait jacket after being fastened in it by a number of sailors. The challenge was accepted but Houdini got free in a little over seven minutes. The ten pounds will today br handed over to the Mayor with the suggestion that £5 shall be sent to the Variety Artistes' Benevolent Fund and £5 to a local charity.
Houdini was speedily shackled by his chief assistant. An arm-iron was placed around the upper part of his arms and fastened at his back, after which his hands were secured with handcuffs. Without betraying the slightest sign of trepidation, fettered and hampered as he was by 18lbs. weight of iron and his hands bound behind his back, he stood for a few seconds in an upright posture, drew several deep inhalations until his lungs were visibly distended and then hurled his body forward into space. In falling, he gave a backward kick in order to balance his body. His head cleaved the placid waters and Houdini disappeared from view.
Then followed a period of suspense and to alter slightly Macaulay's 'Horatius' :-
'The spectators in dumb surprise,
With parting lips and straining eyes.
Stood gazing where he sank.'
Houdini's head reappeared above the surface in the space of forty-five seconds amid the plaudits of the multitude. He had succeeded in releasing himself from his fetters and at once swam ashore, jumped into the cab in which he had driven out and assumed his clothes on the way back to the New Palace Theatre.
This story and many more are featured in my book, 'Houdini : The British Tours' which will be available from 30th September 2011. It's on Amazon at:
http://www.amazon.co.uk/Houdini-British-Tours-Derek-Tait/dp/0956078176/ref=sr_1_1?ie=UTF8&qid=1314910812&sr=8-1
HOUDINI AT PLYMOUTH.
AN INEXPLICABLE TRICK.
Harry Houdini, expert prison breaker and handcuff manipulator, who has been mystifying the Plymouth public at the Palace Theatre of Varieties this week, gave a marvellous exhibition of his wonderful powers last evening. The test arose from a challenge issued by five mechanics and joiners of the Devonport Dockyard that they could make a box from which Houdini could not escape. The 'handcuff king' accepted the challenge, which was decided at the second house at the Palace yesterday. The challenge excited great interest and every seat was booked and the building packed to overflowing. Many hundreds were unable to gain admission. The mechanics filed onto the stage with the box, which was of inch thick wood, and fastened together with 2½ inch wire nails. As it has been exhibited at the Palace for some days, the challengers, to preclude any suggestion of it having been tampered with, went around every edge and inserted handfuls of fresh nails. Houdini, who was received with tremendous applause, soon stepped into the box, and was, after it was seen by the audience that he was really inside, securely nailed in. Previously, ventilation holes were drilled in two of the sides. A strong rope was then passed around the box with half hitches, and was itself then nailed to the wood. The performer was then heard to ask if everything was all right, and, on being assured that that was the case, the curtain was placed around the box. The latter had also been thoroughly examined by the Dockyardmen and a committee of the audience, who were on the stage. Houdini was also searched, but no tools were found on him.During the interval of waiting, the orchestra played several well known songs, which the audience sang to pass away the time. After twelve minutes, the band suddenly stopped and the 'house' was in uproar. Houdini had appeared, perspiring profusely, while during his confinement he had also discarded his dress coat. Cheer upon cheer greeted the performer and everyone, the challengers, committee and audience, admitted themselves to be thoroughly at a loss how to explain the trick. The box was in exactly the same condition as when Houdini was nailed in. There was no sign of an opening anywhere. The nails, rope and cover were also as securely fastened as they were previously. The box, during the test, was at the request of the challengers, placed on a carpet and not on the stage flooring. The Dockyardmen accepted their defeat and each heartily congratulated Houdini on his success. The box was subsequently inspected by the audience.
At the first house, a gentleman offered Houdini £10 if he could escape from the strait jacket after being fastened in it by a number of sailors. The challenge was accepted but Houdini got free in a little over seven minutes. The ten pounds will today br handed over to the Mayor with the suggestion that £5 shall be sent to the Variety Artistes' Benevolent Fund and £5 to a local charity.
THE DIVE FROM STONEHOUSE BRIDGE.
Rain did not deter an immense crowd from assembling at Stonehouse Bridge last evening to witness Houdini, 'the handcuff king', doubly manacled, dive from that structure. Punctually at six o'clock, the intrepid American appeared on the bridge, nude accept for a pair of white knickers. He seemed anxious to make the plunge but for a few seconds, he was prevented by the presence of boats below. Mr. Field, the manager of the Palace and Houdini's men, who were also in boats, shouted to the occupants of the obstructing craft and they tardily cleared the course.Houdini was speedily shackled by his chief assistant. An arm-iron was placed around the upper part of his arms and fastened at his back, after which his hands were secured with handcuffs. Without betraying the slightest sign of trepidation, fettered and hampered as he was by 18lbs. weight of iron and his hands bound behind his back, he stood for a few seconds in an upright posture, drew several deep inhalations until his lungs were visibly distended and then hurled his body forward into space. In falling, he gave a backward kick in order to balance his body. His head cleaved the placid waters and Houdini disappeared from view.
Then followed a period of suspense and to alter slightly Macaulay's 'Horatius' :-
'The spectators in dumb surprise,
With parting lips and straining eyes.
Stood gazing where he sank.'
Houdini's head reappeared above the surface in the space of forty-five seconds amid the plaudits of the multitude. He had succeeded in releasing himself from his fetters and at once swam ashore, jumped into the cab in which he had driven out and assumed his clothes on the way back to the New Palace Theatre.
This story and many more are featured in my book, 'Houdini : The British Tours' which will be available from 30th September 2011. It's on Amazon at:
http://www.amazon.co.uk/Houdini-British-Tours-Derek-Tait/dp/0956078176/ref=sr_1_1?ie=UTF8&qid=1314910812&sr=8-1
Saturday, 20 August 2011
Victoria Road, St Budeaux
Here's a very rare and interesting photo showing Victoria Road in St Budeaux (please click on the photo to see a larger version).
At first glance, it might not seem obvious where this photo was taken. However, it becomes clear when you realise that the patch of ground on the left would later become the location of the State Cinema.
The Masonic Hall, on the corner of Kathleaven Street, is situated half way up, on the right.
At the top of the photo is Normandy Way (then named Vicarage Road) which led eventually down to Saltash Passage.
Much has changed over the years. The road appears much narrower and is devoid of any traffic. It looks a very different scene today with constant roadworks and a steady stream of cars, buses and lorries.
At first glance, it might not seem obvious where this photo was taken. However, it becomes clear when you realise that the patch of ground on the left would later become the location of the State Cinema.
The Masonic Hall, on the corner of Kathleaven Street, is situated half way up, on the right.
At the top of the photo is Normandy Way (then named Vicarage Road) which led eventually down to Saltash Passage.
Much has changed over the years. The road appears much narrower and is devoid of any traffic. It looks a very different scene today with constant roadworks and a steady stream of cars, buses and lorries.
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